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01
Unit · Anchor: Hamlet

Renaissance & Reformation

c. 1400–1700

Anchor text: Hamlet — Shakespeare's prince at the hinge between medieval certainty and Renaissance doubt.

The true work of art is but a shadow of the divine perfection.
Michelangelo Buonarroti
Therefore, Simplicius, come either with Arguments or Demonstrations and bring us no more Texts and Authorities, for our disputes are about the Sensible World, and not one of Paper.
Galileo Galilei, Dialogue Concerning the Two Chief World Systems, 1632
Something shifts in the fifteenth and sixteenth centuries — not all at once, and not without resistance. The stable certainties of the Medieval world come under pressure from every direction: Pico della Mirandola reimagines humanity as self-creating rather than divinely fixed; Copernicus displaces the earth from the center of the cosmos; Luther sets individual conscience against the authority of the Church; Galileo insists on seeing for himself rather than trusting inherited texts. By the time Shakespeare writes Hamlet at the turn of the seventeenth century, the old order is cracking open, and the play registers both the exhilaration and the vertigo of living in a world where the familiar certainties no longer hold.
The Four Threads Unit 01 · Renaissance & Reformation
Philosophy
Argument, faith, the human position
Visual Art
Painting
Figure, space, light, surface
Visual Art
Sculpture
Body, volume, material, setting
Music
Texture, consonance, structure
Historical Moment
1440
Gutenberg develops the printing press
1517
Luther's Ninety-Five Theses
1543
Copernicus publishes De revolutionibus
1601
Hamlet first performed (c. 1601)
1633
Galileo's trial